As a self-taught guitarist at age 18, I was limited to certain styles I could do justice. I began listening to artists that were more schooled, such as Steely Dan, Weather Report, and Yes. I became obsessed with getting the background musical knowledge to expand into these styles. Easier said than done! The difficulty was in blending my “street” knowledge with the more legit “college” knowledge. As I began to write books, I realized my claim to expertise was not that I was overly schooled, but that I was “just like you,” and somehow developed these shortcuts that brought the higher concepts within reach, unifying all musicians.
I wrote
Triad Magic - An Introduction to Guitar Chord Theory
I found his book to show a great comparison of chord construction to chemistry. For example, if I asked you for H2O, you could really only give me water. The naming of a molecule tells you all you need to know about what’s in it. In the case of a chord, if I said play me a G13b9, even if you had never played one, you could construct it from the name only, knowing that a letter name followed by an odd number implies dominant, and that in this particular dominant you will be adding two other elements: a 6 and a flat 9. Brilliant!
Ted Greene's Chord Chemistry was originally published in 1971 and has become the classic chord reference book for two generations of guitarists. Whether you are just beginning to search beyond basic barre chords or are already an advanced player looking for new sounds and ideas this is the book that will get you there. Designed to inspire creativity this book is a musical treasure chest filled with exciting new ideas and sounds.
This was the first book I ever read about jazz. If you’re studying jazz, it won’t be the only book you’ll ever want, but I found it to be an essential one. It lays out all the chord types, discusses the elusive topic of “swing,” and has a list of common jazz song forms at the end of the book. My copy has pencil marks all the way through it, because the book involves you by having you write things out on the staff. For me, being self-taught on guitar, this repetition really jump-started my understanding of the basics of the staff.
Improvising Jazz gives the beginning performer and the curious listener alike insights into the art of jazz improvisation. Jerry Coker, teacher and noted jazz saxophonist, explains the major concepts of jazz, including blues, harmony, swing, and the characteristic chord progressions. An easy-to-follow self-teaching guide, Improvising Jazz contains practical exercises and musical examples. Its step-by-step presentation shows the aspiring jazz improviser how to employ fundamental musical and theoretical tools, such as melody, rhythm, and superimposed chords, to develop an individual melodic style.
This book brought me hours of pleasure, and I learned a ton from it. He takes brainy concepts about modes and scales and turns them into exercises any working guitarist can grasp. The book isn’t written as a method book that needs to be followed from beginning to end. It’s more of a grab bag of fun exercises. You can open any page and just start working there. He coins some pretty interesting terms, such as the “unitar.” “The first guitar probably only had one string…” All written from a fun and lighthearted angle, you’ll be surprised at some of the advanced concepts that will begin to occupy your thinking. Very challenging, yet he manages to pull you into the game.
Veteran musician and educator Mick Goodrick presents practical information for guitarists who want to improve their playing technique and style and simply become better musicians. Rather than a step-by-step method book, the information is presented in a general essay format, discussing ways that the various techniques covered may be applied by the advancing guitarist to enhance his/her own style of playing, some of the areas discussed include: basic fingerboard mechanics • modes, scales and chords • contemporary harmony, • harmonica and overtone influences • being self-critical • improvising short pieces • different playing situations.
This book will motivate you tremendously. Every time I tell another friend about The Artist’s Way, the most common response is, “Oh I love that book!” If a person hasn’t heard of it, within a week it becomes their favorite book as well. If you’re a songwriter, author, composer, filmmaker, or anyone in a creative field, she will show you how to rekindle your motivation using her simple exercises. And when I say “exercises” don’t even think exercises. Just think you’re about to learn a whole bunch about yourself. Very fulfilling! The “artist date” was a highlight for me. I won’t give it away here, but I rate it as one of the most liberating things I’ve ever experienced.
"With its gentle affirmations, inspirational quotes, fill-in-the-blank lists and tasks — write yourself a thank-you letter, describe yourself at 80, for example — The Artist’s Way proposes an egalitarian view of creativity: Everyone’s got it."—The New York Times
"Morning Pages have become a household name, a shorthand for unlocking your creative potential"—Vogue
Over four million copies sold!
Since its first publication, The Artist's Way phenomena has inspired the genius of Elizabeth Gilbert and millions of readers to embark on a creative journey and find a deeper connection to process and purpose. Julia Cameron's novel approach guides readers in uncovering problems…
This book isn’t about music per se. Founder of the bulletproof brand of supplements and coffee, Dave Asprey is known as a figurehead in the field of “biohacking”. He’s the author of several books on how to get more quality in your life, through supplements and other therapies. For me, this is important because “superhuman” is exactly what I need to be when I have a performance coming up. I will take advantage of any safe and beneficial way to get there, and Dave’s book is full of them.
From Bulletproof creator and bestselling author Dave Asprey comes a revolutionary approach to anti-aging that will help you up your game at any age.
Dave Asprey suffered countless symptoms of aging as a young man, which sparked a life-long burning desire to grow younger with each birthday. For more than twenty years, he has been on a quest to find innovative, science-backed methods to upgrade human biology and redefine the limits of the mind, body, and spirit. The results speak for themselves. Now in his forties, Dave is smarter, happier, and more fit and successful than ever before.
Triad Magic is an introduction to chord theory for guitar, with access to videos online. You will learn how basic chords are constructed from scales, laying the groundwork for understanding more complex chords.
By the end, you will be able to construct whichever chord forms you think are necessary for a song, based on what the other players in the band are already playing, and where you want to fit in that sound. And when you learn the parts of an existing song by one of your favorite artists, you will have a better understanding of how they constructed the parts. Your solos will likely improve as well, because you will have a greater awareness of triads within scale patterns.
After Dr. Shawn Jennings, a busy family physician, suffered a brainstem stroke on May 13, 1999, he woke from a coma locked inside his body, aware and alert but unable to communicate or move. Once he regained limited movement in his left arm, he began typing his story, using one hand and a lot of patience.
With unexpected humour and tender honesty, Shawn shares his experiences in his struggle for recovery and acceptance of his life after the stroke. He affirms that even without achieving a full recovery life is still worth…
Locked In Locked Out: Surviving a Brainstem Stroke
After Dr. Shawn Jennings, a busy family physician, suffered a brainstem stroke on May 13, 1999, he woke from a coma locked inside his body, aware and alert but unable to communicate or move. Once he regained limited movement in his left arm, he began typing his story, using one hand and a lot of patience.
With unexpected humour and tender honesty, Shawn shares his experiences in his struggle for recovery and acceptance of his life after the stroke. He affirms that even without achieving a full recovery life is still worth…
